#they're my moms (real)

[enobariasteeth]

Rhaenicent is such a wild ship because imagine having a homoerotic teenage situationship that ends so badly it causes a war, kills off all the dragons, and almost ends an entire bloodline

[batarangsoundsdumb]

"I couldn't be more disappointed with Gaby-Ann, she sewed rainbow sequins on the girls' costumes when we all agreed that they didn't fit with the subject matter of the choreography. Next time, we know who we can't trust."

[natjennie]

genuinely in tears about deux face btw. like I know she's just an animal and genetic abnormalities happen all the time and she's probably not gonna make it very long but she is alive! two weeks! she's alive and there's a video of her mom and other cows licking her and saying hi and she's in the sun and she can lift her head up and she's alive! it's just like. the perfect most poetic little bit of hope in the world right now. she's making it. and people love her. people from all over the country, all over the world, know about her and are holding out hope for her to make it. and she doesn't know me and I'll never see her in person but she matters. and I look at my two-headed calf tattoo and I look at the poem by laura gilpin and I look at deux face and I look at the stars and I'm overwhelmed by the beauty of it. there are twice as many stars as usual.

[synthshenanigans]

Me when I'm taken for a ride or somethin

Og from TFaR/that banner Jash uses everywhere:

[sideprince]

I resent getting dragged into the discourse but it's wild to me that there are people out there who read the HP books and laud Harry for being brave and having a big heart and redeeming the wizarding world with his unusually great ability to love, yet can't comprehend how he could learn to appreciate Snape's sacrifice.

I'm very specifically thinking of the fact that Harry watches Snape die. Snape, who is lying on the floor, gripping Harry's robes, and whose eyes Harry is looking into and seeing the life leave. I don't understand how people can humanize some fictional characters and treat them as if they were real and completely dehumanize another. Not even for Snape's sake, but for Harry's sake, do these people not understand what it is to watch someone die? What's the expectation, that the Capacity For Love Posterchild protagonist steps out of character and doesn't care about the guy he watches bleed out and die suffering because you, as a reader, don't like him?

Which is it? Does Harry have a huge capacity to love or not? Pick a lane. Either you value this character trait in Harry or you don't. But you have to take or leave everything it comes with, otherwise you're a hypocrite. Or maybe illiterate.

I just don't GET it.

[covington-shenanigans]

christ alive I love my parents and I'm glad I got to see them but they are just. so fucking exhausting

[epicfirestormer]

Guess who's playing Steamworld Heist 2 and isn't being normal about it

[currymanganese]

Syd: "So she's not even your girlfriend-

Carmy with his whole chest: "Right!"

Syd: "-and we're, like, aRranGiNG this menu-"

Carmy defensive af: "SHE'S NOT ARRANGING ANYTHING, AND SHE'S NOT LOOKING AT THE MENU-"

Syd: "YES, SHE IS!"

Carmy: "LOOK, THIS IS WHAT YOU WANTED ORIGINALLY AND THAT'S WHAT I'M GIVING YOU, SO, AWESOME!"

Syd: *EXASPERATED UNINTELLIGIBLE CROSS-TALK*-"NO! NOT AWESOME!"

Me:

[silverwhittlingknife]

How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth.  But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.  

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  

Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son.  But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  

This is bad behavior!  It is Not Good!  

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

[i-drop-level-one-loot]

[charmwasjess]

pictured: me waking up bright and early each morning and logging onto Tumblr dot com to continue my campaign of frenzied propaganda for this evil loser

[everypanelofizuku]

Chapter 96 - Home Visits

[multifandombullshitbabes]

(Context: im thinking abt my post canon au, i explained on my ao3, u dont even have to read it just know its there)

Mizu revealing her being a woman to taigen AFTER he confesses his feelings to mizu AFTER being bested during their duel once again is literally so fucking personal to me. Jesus fuck... FUCK. Like. How overwhelmingly loved she must feel. How SEEN. Truly for once n not just but loved and wanted!!! Its so personal to me. Just. Taigen, losing, n then immediately leaning in for a kiss. Mizu is lost cuz what?? Why?? N taigen just. Confesses, but hes holding back cuz mizus reaction was not great and he doesn't wanna ruin the friendship they've formed these past months, they've grown so close so fast n its scary but so exciting n so right but if mizu doesnt want this then nothing is happening n its ok he has a CHOICE. Like. FUCK!! N then mizu telling taigen to wait and that night she reveals it. And its just sooo fucking intimate. Its so soft. And maybe taigen is confused but one look at how small mizu is making herself, like shielding herself from him. Like he gets it. The danger of it all. And its his promise to protect her if she ever needs to that does her in cuz. SHE HAS A CHOICE. TO BE PROTECTED OR NOT. THATS SO IMPORTANT TO HER. Yes, she can protect herself. Yes, it feels good to be protected. Yknow??

Mizu revealing her being a woman to akemi totally by accident AFTER they just had an argument abt women's choices in society AFTER mizu accidentally took one (1) big sip of sake, n then deciding fuck it im gonna win this argument, guess what akemi. And that's how akemi finds out. N Mizu thinks akemi is going to hate her, n she does for a bit in silence, but mostly shes just hurt? For herself AND for Mizu. Cause she understands, so suddenly, so intimately, how hard being a woman is and how mizu has had to hide as a man to survive (not even for plot reasons that we know, mizu being mixed AND a woman? Death sentence). And she just hurts. And they thought they'd always have this weird rift between them but they cry and they let it out (for Mizu, for the first time in YEARS) and its just. Its so emotional n so important and so personal and intimate. Its maybe winter all over again, a year has passed since theyd seen each other in kyoto, so much has changed and yet not rly and. They've grown but in different ways. Akemi, in taking life by the reins n being assertive and strong and so dangerously intelligent like shes always been but now, now its crucial to be that. And Mizu in realizing that she truly, truly wants to be loved so badly but to be loved is to be vulnerable and thats what scares her the most, to be weak; but ure only strong if u can be weak too, and thats what she learns. And i think this is where they really get deep into their feelings. Before it was a crush, an annoying one. Now? Oh bby theyre down bad. Yes they are.

[loveandlegacy]

by @Betelgajze1 on twitter

[menlove]

female comedians are so much funnier than male comedians I think we should just start calling them comedians and calling male comedians male comedians bc like. comedians are just. elite in comparison

[thekidsfromyestergay]

Why is nobody talking about what's happening with the met police right now. Chris Kaba, an unarmed Black man, was murdered by an armed officer last year. He was spotted in a car that had connections to a firearms incident, and was shot through the windshield after police had followed him, without ever activating lights or sirens. Kaba was not a suspect in the case, and no firearms were found inside the car. There is no evidence he gave the officer any reason to fire in self defense.

The unnamed officer who shot him is now facing murder charges. 10% of firearms police are now refusing to carry guns in protest- not because they want to prevent future deaths, but because they are afraid of being arrested for 'doing their job'. They are protesting their "rights" to murder without consequence.

The met police are a racist organisation.

Black Londoners, and all Black British people, I wish you and your families safety.

May Chris Kaba rest in peace.